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How to put magic lantern on my canon 7d firmware 2.0.6
How to put magic lantern on my canon 7d firmware 2.0.6












Flexicams? Flexible, sure, but not all are re flex. Hybrids? Could be, if you don’t confuse ’em with Priuses or mules. RED Digital Cinema likes the term DSMC-Digital Stills & Motion Camera-perhaps due to its similarity to USMC (United States Marine Corps) and the militaristic connotations thereof. HDSLR? EVIL? Is there a term that describes both? Some call ’em DILCs: Digital, Interchangeable Lens Cameras. What they are is EVIL: Electronic Viewfinder Interchangeable Lens cameras. No mirror, no reflex: these aren’t HDSLRs. Cameras like the GH1 do without the mirror their viewfinding is always “live” from the sensor, just like on most compact digital cameras.

HOW TO PUT MAGIC LANTERN ON MY CANON 7D FIRMWARE 2.0.6 PROFESSIONAL

Add video capability, and you get VDSLR, which sounds like an unfortunate social disease (indeed, some professional imaging pros would argue that this moniker is perfectly appropriate) HDSLR-high-definition SLR-is less pejorative, and thus preferred by aficionados.Īll fine and well… as long as the camera is an SLR. When a solid-state sensor is put in the film plane instead of, erm, film, the result is the digital SLR: DSLR. In The Beginning… there was the SLR: the single-lens reflex camera: “reflex” meaning that a mirror is employed to divert the light through the lens to a viewfinder “single lens” because the taking lens is the same as the viewing lens (as opposed to twin-lens reflex cameras like the Rolleiflex). Terminology: there’s no single, commonly-used, entirely-accurate name for this whole class of cameras: large-sensor, interchangeable-lens still cameras with video-recording capability. The GH1 steers around some of the pitfalls of its competitors, falls into some new pits all its own, and points to the future of the versacam category. The 5D and 7D are the “industry standards” of HDSLR video as it stands today. The D90 pioneered the field, for which kudos are due Nikon, but this primitive pioneer serves as a warning to the unwary about most of the things that can go wrong when a still camera is repurposed for video.

  • The GH1 is Panasonic’s MFT (micro-four-thirds), electronic-viewfinder still camera specifically optimized for video.
  • The 7D is the DX/APS-C/4-perf/35mm-mopix-sized follow-on to the 5D Mk II.
  • The 5D Mk II is the 35mm-still-full-frame/8-perf/Vistavision-sized video-capable DSLR that really set the category on fire.
  • The D90 was the first video-capable interchangeable-lens DSLR.
  • These four cameras run the gamut of “first-wave” versacams: Like any powerful tool-a chainsaw, an Aston-Martin One-77, a bazooka, a trained shark with a head-mounted laser raygun-versacams can yield excellent results when wielded well, but may equally deliver disappointment and disaster to those not conversant with their peculiarities.Īs of the time I write this, I’ve had a Nikon D90 for 16 months, a Canon 5D Mk II for 11 months, a 7D for 8 months, and a Panasonic DMC-GH1 for 4 months. There are grains of truth in both viewpoints versacams expand the mopix toolkit in surprising, exciting and affordable ways, but they come with considerable compromises in image quality and practical usability.

    how to put magic lantern on my canon 7d firmware 2.0.6

    Others reject them out of hand for their technical shortcomings and unsuitable ergonomics. Some proclaim them the revolutionary future, doing to RED what RED did to the industry before it: bring large-format, shallow depth-of-field motion imagery to the masses at a price point previously inconceivable. Hybrids, HDSLRs, VDSLRs, EVILs, DSMCs, DILCs? There’s as much confusion about what to call these highly-affordable, large-sensor, interchangeable-lens, video-capable still cameras as there is about their actual usefulness. Art Adams wrestles a fully kitted-out Canon 5D Mk II with 85mm f/1.2 Canon prime.












    How to put magic lantern on my canon 7d firmware 2.0.6